Infoquakehas been compared to the classic novel Dune and the movie Wallstreet. This is a very good comparison, but I think that Infoquake stands on its own merits and allows us to envision a future that could quite possibly occur with a nudge in the right direction. The pacing and style of the novel leaves you wanting more as the book moves at break-neck speed from the corporate boardrooms to the public launch of a product. You would think that a science fiction book that focuses on the backstabbing and the planning of a new computer program would leave you yawning and sleepy, but Edelman has found a way to keep you reading way into the wee hours of the morning drinking coffee like a computer programmer behind on his product launch. A fascinating piece of literary work that is bound to be considered a classic of science fiction. One, if not THE top read of the year. A must have for any reader of science fiction. Could not recommend higher.
Monday, November 22, 2010
More Love for an Earlier Title
Labels:
David Louis Edelman,
Infoquake,
Jump 225,
reviews
Friday, November 19, 2010
ELFSORROW makes LJ Best Books 2010: Genre Fiction list
The Library Journal have just released their "LJ Best Books 2010: Genre Fiction" and James Barclay's Elfsorrow
made the list. They write, "The mercenaries of the Raven journey to the heart of the elven continent of Calaius to save the land from dying in a superbly visualized fantasy adventure reminiscent of Glen Cook's classic Black Company tales."
He shared the list with Todd McCaffrey's Dragongirl
, China Miéville's Kraken
, Mark Charan Newton's Nights of Villjamur
, and Skyler White's And Falling, Fly
. Congratulations to all the authors on this prestigious list!
He shared the list with Todd McCaffrey's Dragongirl
Thursday, November 18, 2010
Podcast: Comic Book Outsiders
Scott and Steve, it was a very fun interview. Thanks!
Labels:
Interview,
Lou Anders,
Masked,
Podcast,
Yours Truly
Wednesday, November 17, 2010
Tuesday, November 16, 2010
The NaNoWriMo Song
I love John Anealio's music. His NaNoWriMo Song is just priceless! It got me through NaNoWriMo last year in fact. You can download it, and the new "dance remix" in a pay what you want transaction, starting at free. But you should pay at least $.99 for it, shouldn't you?
Thursday, November 11, 2010
We Always Knew Planets Didn’t Explode on Their Own
One thing I couldn't include in the review, but which I got a kick out of. The villain is named Tyrell, looks like Rutger Hauer, and paints his face not unlike Daryl Hannah in a certain film. Also, the nature and weapons of the villains seemed to me reminiscent of aspects of the last two Star Trek films. None of this is criticism. It's just fun to spot the seams and influences.
Labels:
J. Michael Straczynski,
Lou Anders,
Superman,
Tor.com
Monday, November 08, 2010
MASKED is the book for you!
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His conclusion? "If you are a superhero fan, eager to find a slew of original spins on a well-worn topic, Masked
Labels:
Anthologies,
Lou Anders,
Masked,
reviews
Friday, November 05, 2010
Is Fantasy Gendered?
Over at Salon Futura, Tim Pratt, Glenda Larke, and I discuss "whether some fantasy literature is deliberately targeted at readers of a particular gender." I probably spun the episode more in the direction of teen reading and the Young Adult genre than the topic suggested.
The episode is also available via iTunes.
The episode is also available via iTunes.
Labels:
Glenda Larke,
Lou Anders,
Podcast,
Salon Futura,
Tim Pratt
io9's Environment Writing Contest for Science Journalists and SF Writers
From their release:
In November and December, io9.com is sponsoring an environmental writing contest for science journalists and science fiction writers. We are awarding $2000 each for the two best stories (one nonfiction, one science fiction) that deal with environmental disaster - its causes, consequences, and how to deal with both. We invite entries from people all over the world, whether they're seasoned investigative journalists or citizen scientists who have never been published
before.
before.
For full contest rules, please go here.
Here's more information:
We can't prevent environmental disasters without preparing for them. That's why io9 is going to pay $2000 each to two people who write the best stories about environmental disaster. It's io9's Environmental Writing Contest - for science fiction and non-fiction.
io9 is looking for stories that deal with environmental disaster, whether caused by random asteroid impacts or oil drilling accidents. We believe that the first step to solving planet-scale problems is to
assess, honestly and critically, what it would mean to experience such a disaster. We need mental models that can help policy-makers, researchers, and individuals prepare for the kinds of cataclysmic
events that have occurred regularly throughout Earth's history.
We're holding this contest to reward people for coming up with ideas that could help avert the next Deepwater spill and Pacific garbage gyre - or help people prepare better for the next Indian Ocean tsunami and Haiti earthquake. Storytelling is a powerful tool. We want you to use it well.
Our team of judges includes Elizabeth Kolbert (The New Yorker's environment reporter), National Book Award nominee Paolo Bacigalupi (author of Ship Breaker
and The Windup Girl
), and Jonathan Strahan (editor of the acclaimed Eclipse
anthologies).
Contest Guidelines:
Stories should be between 3,000-5,000 words. It must be an original story that has not been published elsewhere.
The contest has two categories: Science Fiction and Non-Fiction. We will pick a winner from each.
Guidelines for Science Fiction Entries:
Your story should deal meaningfully and plausibly with some aspect of environmental disaster. There are no limits on the kind of disaster you explore. It could be an exploding star, a plague, tachyon pollution, nanotech diseases, climate change, or something else. What's important is that your story deal with causes and consequences. How did the disaster happen, who will benefit from it, how will people
(or other creatures) respond to it? We don't want morality tales or after school specials here - just good stories that deal realistically with the subject matter.
Guidelines for Non-Fiction Entries:
Your story can be a piece of investigative journalism, a well-researched history, biographical/autobiographical narrative, or science/technology writing for a lay audience. You can write a profile of people or groups dealing with environmental disaster, analyze the science behind environmental problems, or cover the story of a disaster that has already happened. We prefer stories that involve reporting and research. Though the story must be original, you may base it on research you have already done for another project or piece of reporting.
Winning stories will be published on io9, and we will give $2000 each to the winners in each category.
Deadline for all stories is midnight PST, December 11.
Here's more information:
We can't prevent environmental disasters without preparing for them. That's why io9 is going to pay $2000 each to two people who write the best stories about environmental disaster. It's io9's Environmental Writing Contest - for science fiction and non-fiction.
io9 is looking for stories that deal with environmental disaster, whether caused by random asteroid impacts or oil drilling accidents. We believe that the first step to solving planet-scale problems is to
assess, honestly and critically, what it would mean to experience such a disaster. We need mental models that can help policy-makers, researchers, and individuals prepare for the kinds of cataclysmic
events that have occurred regularly throughout Earth's history.
We're holding this contest to reward people for coming up with ideas that could help avert the next Deepwater spill and Pacific garbage gyre - or help people prepare better for the next Indian Ocean tsunami and Haiti earthquake. Storytelling is a powerful tool. We want you to use it well.
Our team of judges includes Elizabeth Kolbert (The New Yorker's environment reporter), National Book Award nominee Paolo Bacigalupi (author of Ship Breaker
Contest Guidelines:
Stories should be between 3,000-5,000 words. It must be an original story that has not been published elsewhere.
The contest has two categories: Science Fiction and Non-Fiction. We will pick a winner from each.
Guidelines for Science Fiction Entries:
Your story should deal meaningfully and plausibly with some aspect of environmental disaster. There are no limits on the kind of disaster you explore. It could be an exploding star, a plague, tachyon pollution, nanotech diseases, climate change, or something else. What's important is that your story deal with causes and consequences. How did the disaster happen, who will benefit from it, how will people
(or other creatures) respond to it? We don't want morality tales or after school specials here - just good stories that deal realistically with the subject matter.
Guidelines for Non-Fiction Entries:
Your story can be a piece of investigative journalism, a well-researched history, biographical/autobiographical narrative, or science/technology writing for a lay audience. You can write a profile of people or groups dealing with environmental disaster, analyze the science behind environmental problems, or cover the story of a disaster that has already happened. We prefer stories that involve reporting and research. Though the story must be original, you may base it on research you have already done for another project or piece of reporting.
Winning stories will be published on io9, and we will give $2000 each to the winners in each category.
Deadline for all stories is midnight PST, December 11.
Labels:
contest,
io9,
real science,
science fiction
Thursday, November 04, 2010
James Enge: Making a Virtue of Weirdness
The latest issue of Locus magazine has a long and enthusiastic review of James Enge's The Wolf Age
by author and reviewer Tim Pratt. He calls The Wolf Age "inventive and delightful," and says, "Enge's plot is admirably twisty, and he keeps things moving with impressive set pieces, werewolf battles, bizarre magical airships, miraculous feats, and liberal doses of skewed humor. One of his great virtues as a writer is weirdness -- he's not afraid to do the unexpected, and his imagination is formidable. But there's an underlying emotional power here, too. The author excels at depicting the bonds of friendship, the pain of betrayal, and the tragedy of well-laid plans going awry, and that emotional payload is what makes this novel into more than just an entertaining adventure story about a guy with a magical sword who fights monsters. Enge is one of the most engaging of the new sword and sorcery authors, and I hope we get to follow Morlock's exploits for a long time to come."
Update 11/8/10: Locus Online has posted the full review to their site.
Update 11/8/10: Locus Online has posted the full review to their site.
Labels:
James Enge,
Locus Magazine,
The Wolf Age
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