Fast Forward 1: An Encouraging Glimpse of the Future

Aaron Hughes, over on Fantastic Reviews, has some thoughts on my anthology, Fast Forward 1: Future Fiction from the Cutting Edge.Aaron begins by rounding up some recent notable anthologies, and then says that Fast Forward 1, "...may prove more important than any of these, because it is the first in a planned series of unthemed original anthologies - something that has not been done effectively since Patrick Nielsen Hayden's Starlight series from 1996 to 2001. It is nice to see Pyr, a relatively new SF publisher, using the original anthology format to showcase its brand of literary yet entertaining SF."

Aaron particularly likes the book's novella, as he writes, "For my money, the single best story in Fast Forward 1 is 'Sideways from Now' by John Meaney, a British author who is fast becoming one of my favorites. 'Sideways from Now' combines familiar SF tropes such as telepathy and alternate universes, but weaves them together in very original ways, blending two disparate styles." Aaron goes on to make comparisons to Meaney's story-within-a-story to the New Weird, then adds, "At 69 pages, 'Sideways from Now' is the longest story in the book, but so richly layered that it is difficult to believe Meaney was able to contain the tale in as few pages. I will certainly be nominating this story for a Hugo Award, for it is inconceivable that there could be five better novellas published this year."

Aaron also likes stories by Stephen Baxter, Elizabeth Bear, Robert Charles Wilson, Paul Di Filippo and others, and concludes, "this book demonstrates what a variety of authors and stories science fiction can encompass. By its wide array of different approaches to the future, Fast Forward 1 gives us an encouraging glimpse into the future of science fiction."

He also made an interesting observation, which may be relevant to recent discussions of the decline of digest magazines and the rise of several new annual, unthemed SF volumes in Fast Forward's wake: "There is precedent for original anthologies filling the void when print magazines suffer a period of decline. When multiple digests folded in the late 1960's and early 70's, anthologies such as Orbit, Universe, New Dimensions, and Dangerous Visions picked up the slack. (Notably, stories from original anthologies received over 40 Hugo nominations in the 1970's, after print magazines had accounted for all but one of the short fiction nominations before 1968.)"

John Meaney Done Good

After nagging him about it for-f'ing-ever, I see that the fabulously talented John Meaney finally has a proper blog where people can comment and everything. Please everyone go post a welcome on it. Such smart behavior needs to be encouraged.

Meaney's Goth Noir Sci-Fantasy

Dear god, I can't wait for this. I started the manuscript of John Meaney's Bone Song last year, but since I wasn't in the running for it, I had to put it down for other work-related things. And since I'm big on buying in your home territory, I've resisted begging a copy off publishing friends in the UK and have been patiently/impatiently waiting for the US edition. February can't come soon enough. And isn't it gorgeous?

Also jealous that NethSpace has already read it all. They say "Think Dirty Harry in a city created by the bastard love-child of Jeff VanderMeer and China Mieville. The backdrop of a hardboiled crime plot cleverly disguises stories of human interaction, trust, mistrust, loyalty, morality, acceptance, and love while delivering a great mystery."

From the synopsis: Lieutenant Donal Riordan has been given the most bizarre of new cases. Four famous stage performers have died in recent months, thee of them in state capitals within Transifica, the fourth in far Zurinam. And now the idolised Diva, Maria deLivnova is coming to Tristopolis. Donal's boss is determined that nothing like this is ever to happen in his city. Donal is to have anything he needs as long the Diva lives. And so begins a dark investigation through a world where corpses give up their pyschic energy in the massive necrofulx generators that power the city, where gargoyles talk, where wraiths work in slavery, a world of the dead where corruption is alive. This is an extraordinary SF novel set in alternate universe quite unlike any imagined in SF before; a universe where magic and the supernatural and the undead are given a scientific rationale and horrifyingly plausible rationale. The novel's setting, Tristopolis, is the ultimate noir city; an immense baroque creation of haunted stone skyscrapers, black metal and city-wide catacombs. Its hero Donal Riordan is immensely likeable and easy to identify with. Even once he's dead.

I think this is going to be big.