Sunday, March 16, 2008

OmegaCon: If You Build It, They Will Come

I'm back from OmegaCon, the first major Birmingham, Alabama convention in some time, which was held March 14th to 16th at the Sheraton Birmingham. This was a major undertaking - a hugely ambitious convention that - in addition to a literary track loaded even by the standards of a major regional convention - also featured media guests (Richard Hatch, Chase Masterson, Peter Mayhew, Richard Kiel, Richard LaParmentier, others), a paranormal track, an actual hard science track, a gaming track, round the clock music, and even a Celtic track. They were aiming for attendees in the thousands and perhaps biting off more than they could chew for a first time venture. So how did it go, you ask...

The con actually started for me a day early, when Mike & Carol Resnick, Louise Marley, and Kay Kenyon all arrived, and they joined me at a launch party at Books-A-Million for William H. Drinkard's Elom. Also at the party, Bill's editor Claire Eddy, author and editor Eric Flint, new Pocket books author JF Lewis, and Baen editor Jim Minz. I don't know that anyone there knew what a host of SF&F celebrities were milling about, but Bill knew and it was his night. And by the time I peeled off to take Louise, Kay and the Resnicks across the street to a dinner at Brio Tuscan Grill, about three-quarters or more of the enormous stack of Bill's books had been depleted. I think BAMM was very happy with that, and I know Bill was. The dinner itself was wonderful, though for the most part Mike wouldn't stop tickling Kay long enough to let her speak.

To be brutally honest, the con itself started off a clusterfuck - pardon me but that's the best way to describe it. Guests left at the airports waiting for rides, problems getting them into their rooms when they did get there, a "first come first serve" policy for assigning space in the dealer's room, no program book until 1pm on the first day (an hour into programming), and a host of other such failures to communicate that had me pretty worried, had a few of my authors visibly shaken, and had at least one major guest I spoke with apoplectic with rage. (How mad was he? I told him that when I said earlier that I was from Birmingham, I meant Birmingham, England.)

But thanks as I understand it to the Herculean efforts of Omegacon vice president Nathan Levan - all guests ended up safely in rooms (if not always the ones they were originally assigned). And program books did eventually materialize, and people began to figure out what was where. By late afternoon, we'd all managed to find our panels and - lo and behold ! - they were decently attended. It certainly helped that the hotel itself was very nice, recently renovated and spacious, and the main auditorium had a built in projector system that made for a beautiful presentation when I gave the usual "What's New With Pyr Books" PowerPoint show. In fact, the dedicated projector room and enormous wall screen meant that the presentation never looked so good as it did there. Really a wonderful space, and one that did justice to the original artwork for forthcoming Pyr books that I debuted from illustrators Stephan Martiniere, Todd Lockwood, Sparth, and Dan Dos Santos.

Meanwhile, the dealer's room was fairly large and dominated by the 60 feet or so of bookshelf space that convention sponsor Books-A-Million took up. A hugely impressive display, with hundreds upon hundreds of titles, and a major show of support from the third largest chain in America (who happens to be based in Alabama.) The pictures aren't going to do it justice, but here's Mike Resnick and Kay Kenyon posing with displays of their books. I know they were very happy with how they were presented, and the covers to Kay's Bright of the Sky and A World Too Near drew comments all weekend. BAMM was there in force, with multiple staff on site at all times.

The only other book dealer there (as opposed to small press with their own dedicated booths) was Edge Books, on hand with a wonderful selection which (thankfully) included a great many backlist Pyr titles. Owner Zane Melder also had a good number of Locus magazines for sale, towards which I steered several hopeful novelists looking for the source of industry insider info. Pictured is Mike Resnick with Zane and his fiancé Jo. (Zane reported that he had a reasonably good weekend and expected to return next year with even more tables.)

One room over from the dealers room was the official autograph site, where it was wonderful to bump into Chase Masterson, in town with writer/director James Kerwin to promote her new "sci-fi noir" film Yesterday Was a Lie. I knew from her days as Leeta the Dabo Girl on Deep Space Nine and was flattered when she remembered me as well. Chase was always one of the nicest people I dealt with on Trek, and it was really great to see her again.

By Friday evening things had settled a bit and started to find a rhythm, and a wonderful meal at icon Restaurant and Bar in the nearby Tutwiler hotel - courtesy of Jim Minz and in the company of Mike & Carol Resnick, David Drake, Karen Zimmerman, and Eric Flint - went a long way towards lifting the spirits. This despite listening to the old geezers tell horror stores about the history of publishing and con experiences far, far worse than anything happening here. (Aside: I must say I was proud all weekend of how many of the visitors to my city remarked on the great restaurants, with Highlands, Bottega Cafe, Hot and Hot Fish Club, Dreamland, and Surin West all receiving rave endorsements from those who went off-site for meals.)

So I went home Friday night with a very full belly and the assurances that "nobody is going to blame you for this" and the expectation of having a good weekend with friends despite the colossal disorganization, but without the expectation that the convention itself would be worth it.

Then Saturday morning hit. I drove up at around 10:00am and was amazed at all the people moving in droves towards the entrance. Before I was a block away I was getting Field of Dreams vibes. Over three thousand attendees by 9 am Saturday morning is the official word- I've heard figures from 3.5k to 4.5k for the weekend total but the con organizers didn't want to confirm that until they get an official tally later in the week - but they definitely had hit and broken through the 3k mark by 9am Saturday morning, and I saw lines at registration all day long well into the afternoon, so they must have gotten at least three and a half thousand and possibly more. And a good mix of people too, young and old, families, children.

Whatever the exact tally, by mid-afternoon they were packed. Crowds of people, all ages, and my authors coming up to me with very relieved faces expressing shock at the number of people who were there. By this time, everyone had figured out the program book, and the panels I were on were well attended, audiences in the 25 to 50 range for each panel, depending on the time and topic. The noon autographing with Yours Truly, Alan Dean Foster, Kay Kenyon and Mike Resnick - perfectly positioned at the entrance to the dealer's room - was fantastic, and we all signed quite a few books (Alan, I think, signed the most but Mike must have been a close second). My son, my wife, my mother, my oldest friend and his son all made an appearance at this point. The kids got to pet a real snake visiting from the Birmingham Zoo and theirs eyes popped out of their heads when the conventions sole Klingon warrior walked by. 'What was that?" they said in unison.

At 1pm I snuck out with Kay Kenyon and Alan Dean Foster for a trip to Bottega Cafe. Tales of Hollywood from two of us. A nice break before diving back in for all.

A 3pm repeat of the Pyr panel had fewer attendees than the Friday edition, but that allowed a more intimate back-and-forth with the audience that was a nice counterpoint to the one the day before. By Saturday afternoon, people like artist guest Brom were referring to the day before as "typical first year bumps" and generally very forgiving.

Saturday night we brought Mike & Carol Resnick, Kay Kenyon and Alan Dean Foster to my house for dinner, and a tour of "where it happens", complete with a brief-but-loud drum solo courtesy of my almost-three year old. A great time but it did have the unfortunate side effect of meaning we missed Louise Marley's band Earthwood in their reunion performance. I didn't return to the convention again that evening, so I don't know what sort of night life it afforded those staying on-site.

Sunday morning I went with Tor editor Liz Gorinsky to breakfast at the Original Pancake House in Five Points. Here is a shot of Liz with The Storyteller by local artist Frank Fleming. You can't see it in the picture, but five toads spit water in a fountain in what, from a bird's eye view, would be an inverted five-pointed star with the goat's head at the top. "I didn't know it was Satanic, honest." said the sculptor when this was originally pointed out. Only in the Bible Belt would anyone care about this. But then, only in the Bible Belt would they build a satanic stature in front of a church. It makes for a good story, when visitors come to town. (And it would make for a good story, now I think about it...)

Two more panels on Sunday, including a fun "Nightmares of Publishing" panel which included Minz and Liz. I was double booked, so I missed when Bill Drinkard presented Ben Bova with the inaugural "Ben Bova award", something that is set to be a recurring feature of the convention, but I'm told the award was beautiful and that Ben was touched. I had a few last minute conversations, and then the con wrapped. Minz and a host of Baen authors were heading to Surin West Sunday night, but at this point, I could barely walk, let alone talk or drive. In fact, despite not staying up late in the bar every night, I was more tired than I normally am post-con. My wife thinks that the difference between this con and others is that in addition to all the work I always do at cons, I was playing host a good deal of the time too. Add to that all my fears that Omegacon wouldn't come off, and the stress that that caused least my people didn't have a good time, and I think this one was a good deal more exhausting than the usual. When it did come off (for the most part), all that tension broke.

So did it work? Well, Kay (pictured here with my brother David) said she's be back next year for sure. And I hear Ben Bova said he'd like to return every year. Casting about the nets, I see some of the other guests reports are already up, and they seem to be saying about the same thing:

Steven Brust's Report: He characterizes the weekend as "poor organization and good hearts," and concludes that "I’d hate to guarantee it, but I have the feeling that, by next year, Omegacon will have ironed out most of the bugs and be ready to put on a good convention. As for this year, well, there was some fun, and I’m very glad to be home."

David C. Kopaska-Merkel's Report: "On the one hand, it's the largest first-year con on record: more than 2000 people. It was bankrolled by, among other entities, Books-A-Million, so they had plenty of money. On the other hand, I have never seen a more disorganized con committee. If it hadn't been the first time, no one would have cut them any slack at all. ...On balance, I give them a B. Considering it was their first time. I'm pretty sure they won't make very many of those mistakes next year. ...I plan to go back next year."

Kay Kenyon's Report: "A bunch of attendees told me they were thrilled to have a con in their backyard. It was the first ever SF con in Alabama, I think, and everyone worked themselves to death. The con staff went out of their way to help authors when things went awry, as was maybe inevitable for the first try. So again, thanks to all the volunteers for hard work."

JF Lewis's Report: "As to be expected of a first time Con, there's been a small amount of chaos that seems to be smoothing out nicely."

Louise Marley's Report: "Last weekend, kenyonsf and I were guests at the very first of what I hope--and lots of people in the South hope--will be many OmegaCon Science Fiction Conventions. There were problems, birth pains, if you will, but the enthusiasm of the 3500 fans who attended was a reminder of why this genre is a living, growing community....It was worth it! I met some delightful readers who have been following my work for ten years, and that in itself was worth the twelve hours of flying and waiting and frustration that it took to get to and from Birmingham, AL, from Seattle, WA."

So, lots of first year jitters, overall a good time, hope for an even better show next year. And towards that end, let's look at what worked, and what needs fixing.

What worked:
  • Incredible sponsorship - Books A Million, Best Buy, the McWane Center, 105.5 FM. The support of the City of Birmingham.
  • Incredible PR - front page of the Birmingham news, spots on Fox 6, radio coverage. The OmegaCon team did in-store appearances at Best Buy and Books-A-Million, and were out in force for "Boo at the Zoo" - a Halloween event that drew in 17,000 attendees. Their promotional for this convention was top notch, among the best I've ever seen.
  • A wonderful dealers room - huge and full of many good things. The aforementioned Books-A-Million presence was incredible - the displays for my authors really eye-catching and much appreciated.
  • Locating the signing next to Books-A-Million and right at the front door of the dealer's room was inspired. Apparently, BAMM was hesitant to do this at first, because they weren't comfortable with backlist and books bought elsewhere being signed along with the books they sold, but Alan Dean Foster showed them the error of their ways, and they were VERY happy with the result. As were we!
  • The information/operations desk was top notch. When I needed a laptop set up for my Pyr Presentation, they were on the walkie-talkies and it was up and running in no time. I would have sworn I was going to have to tap dance without my 50 pages of book covers to back me up, but no - they were on it with professional speed. And, as I said before, the presentation facilities were the best I've encountered. I wish I could have been in the audience myself!
  • The overall hotel facilities were wonderful and with the convention center next door, they have all the room to grow they will ever need.
  • Music! While I didn't get time to listen to it myself, the incredible number of bands that played at OmegaCon was really impressive.
  • The website, which is oddly down at this moment, was wonderful, better than that for a lot of conventions, and a great place to get information pre-con. Its discussion forum will be a great resource when it comes to smoothing out the bumps for next year.
  • Very friendly, very sincere people.
What needs fixing?
  • Guests left at the airport. Next year they need to assign one liaison/greeter for every major guest, someone responsible for getting that guest at the airport, checking them into their hotel, giving them their schedule (before the programming actually starts), and getting them to the hotel at the end of the weekend. If they had just done this one thing, they would have eliminated 90% of the complaints and ill-will they drew down on the first day. And since I spoke to a great many volunteers day one who were there but didn't know what they should be doing, I imagine finding these volunteers and assigning them to guests next year should be easy.
  • No con-suite. I almost never stop long enough to go in myself, but the old guys really need somewhere to rest their feet. Thankfully, the hotel kindly put out juice and cookies on Saturday, but there needs to be a place provided for people to relax, help themselves to food, and chill out. This is easily amended.
  • No room parties. Another easy fix, and something I suspect will take care of itself over time as they grow, particularly as more of the DragonCon crowd drop in.
  • A better grasp of the needs of the artists in the art show and an understanding of what they need to get out of a show. I'm told they couldn't do commerce in the actual room, and the layout was a little wonky. Good art though.
  • Program book - this was the biggest single problem from my perspective (though, remember, I didn't need a hotel room myself). The programming book was late, so the first hour of panels was a wash. When it did arrive, it was nigh impenetrable. Incredibly, it was organized by room, not by time, with each track given its own section, so figuring out what was happening when was impossible. I myself missed a 9am Sunday panel I never knew I was on, and when I needed to find Kay Kenyon at one point - and knew for certain she was on a panel - I was incapable of finding it. What's needed here is a good deal of responsible guidance, someone overseeing all the various track leaders, a pre-convention questionnaire asking guests their preferences (time of arrival, time of departure, earliest panel you'll do, latest panel you'll do, maximum number of panels, willingness to moderate, that sort of thing). And an Excel spreadsheet. Honest.
A lot of problems, to be sure, but none insurmountable. I think younger/newer writers who can roll with the punches can get a lot out of this major new avenue into southern fandom, whereas older established pros who "don't need to put up with this shit" and draw the same crowds everywhere they go aren't going to find this as good a venue as it stands right now. I could easily have seen Tobias S Buckell, David Louis Edelman, or Elizabeth Bear having an absolute ball here this weekend, warts and all (the conventions, not theirs). And maybe that's where OmegaCon needs to concentrate its literary efforts while they work the kinks out. That being said, Bova has said he wants to come back every year. And if they ramp up quickly, this will be a good venue for all concerned next time.

Most encouraging was the number of competent people I met who were on the edge, who confessed to waiting in the wings to see if the organizers could really pull it off before diving in with their full aid, and who have expressed interest in being more involved next year to help build processes and smooth things out. So it looks like OmegaCon has the added resources to draw on if they'll use them. As one person said to me, "It was a typical first year con." To which I responded, "That's okay, then. As long as next year is a typical second year con, and the year after is a typical third year con. And one day, they become a typical ten year con." In fact, even the most irate author I talked to said they still thought that the con had potential to be a major event in years to come, one which might even consider hosting a World Con one year once they are established.

Finally, my aforementioned friend's son, whose name is Christian and who is three and a half, summed up his experience like this. "Daddy, I'm coming next near!" And that is the exact sentiment of every attendee I spoke with, and what I'm tracking online as well. I hear the hotel is already booked, and they certainly did the numbers. If the con organizers will make a study of what went right, take a lesson in what went wrong, be open to criticisms without taking offense, and heed advice where it is offered, then they could well become a major destination convention in just a few years time, just as the author above opined, on the level of a Norwescon or a Boskone for the Southeast with respect for the literary community, but with an attendee size of a decent media con.

But... if they repeat the mistakes of this year again, they'll have a hard time getting guests back a third time. And that will be a damn shame. Because while I heard a lot of stories of disorganization from the guests, I heard only good things from the fans. I was really touched by all the people I met who came in from Georgia and Florida and Tennessee and Mississippi and even further, as well as all the people from Birmingham that were there (including two teachers from my brother's school and the manager of my favorite restaurant!) I had no idea that my hometown had so many genre readers, and the palpable hunger for this to succeed that they all shared was overwhelming. There was so much good will and enthusiasm for OmegaCon I felt bad for any of us ever being disgruntled. I have spent several years missing the vibe I had in cities like Chicago, LA, and San Francisco, and it's been amazing to learn that there IS a community of genre readers here that I never knew existed.

So, to those of "poor organization and good hearts" - congratulations! You did it. You set records for a first year con, and you showed the skeptics that Birmingham can pull in crowds in their thousands. You brought together a huge number of professional writers and publishers for a fledging effort - hell, you had a lot of authors even for an established annual regional! You got major news coverage (print, radio, and TV), and you pulled in major sponsors. All that counts for a heck of a lot. But most of all, you showed your fans a wonderful time. And for that reason, you know they'll be back next year. So, sleep for a week - you earned it and you need it. Then get busy. You'll have only 360 or so days until OmegaCon 2 when you wake up. You've got a lot of work to do, but we're all pulling for you. And like three year old Christian, I'm definitely coming next year. I can hardly wait!

Good luck.



Wednesday, March 12, 2008

Lou's Media Frenzy

Last night, I was at Historic Rucker Place in Downtown Birmingham, for the launch of JF Lewis' Staked,just out this month from Pocket Books, where it was my privilege to introduce Jeremy at the event. (Small world - my friend Jen Heddle is his editor.) Also in attendance, fellow Alabamian and new SF author William H. Drinkard, whose novel Elomwas just released in hardcover this month from Tor. Staked cover artist Chris McGrath couldn't attend, but sent a beautifully framed print of the cover which Jeremy's mother-in-law presented to him as a gift.

Tomorrow night, we'll reunite again at a launch party at BooksAMillion for Elom, and I'll be dragging Mike Resnick, Louise Marley and Kay Kenyon along, so more on that later. Mike, Kay and Louise are in town for OmegaCon, which is pulling in well over 40 authors/publishing professionals last time I counted (including Tor, who are throwing a party, and quite a few staples from Baen, including editor Jim Minz, who is a party unto himself.)

Meanwhile, Bill and I were on Fox 6's "Good Day, Alabama" at 7:45 am this morning in support of the con. We talked with host Rick Journey about Bill's book, OmegaCon, and Pyr. The clip is already online here.

Update 3/13/08: Jeremy blogs his launch party here.

OmegaCon Panel Schedule

This weekend, March 14th to 16th, is OmegaCon, where, Lord willin' and the creek don't rise, I will be appearing on the following panels:

Friday:

3:00 pm
Science Fiction (Vision or Prophet)?
Ben Bova - Alan Dean Foster – Lou Anders – Van Allen Plexico

4:30 pm
“Wonderful World of Pyr Books”
Lou Anders - Mike Resnick - Kay Kenyon

6:00 pm
Trends in Science Fiction:
Ben Bova - David Drake - Mike Resnick - Alan Dean Foster - Lou Anders

Saturday:

10:30 am
Blogging:
Joy Ward - Lou Anders - Jeremy F. Lewis - Allen Gilbreath - William Jones

12:00 pm
Meet Pyr’s Authors: Autographs
Lou Anders - Mike Resnick - Alan Dean Foster - Kay Kenyon

3:00 pm
“Wonderful World of Pyr Books”
Lou Anders - Mike Resnick - Kay Kenyon

6:00 pm
Online Publishing:
Eric Flint – Lou Anders - Claire Eddy – James Minz - Van Allen Plexico

Sunday:
9:00 am
The Business of SF:
Lou Anders - David Drake - Eric Flint – James Minz - Claire Eddy

Tuesday, March 11, 2008

The Busy Editor at Home

I am often asked, "What is the life of an editor like?"

Well, um, we just took the Christmas tree down this past weekend.

That should probably give you an idea...

Monday, March 10, 2008

More Thoughts on Series Fiction - but whose?

In response to my earlier post "Mind Meld: Science Fiction Series", Paul Wargelin made the following comment, which was so lengthy and articulate I will repost it here for more to see.

Hi Lou,

This is a question that poses even more questions.

1: Define “new readership.” Are we talking about readers completely new to SF&F, readers who generally do not read series books, readers who do read series books in other genres, or the SF&F reader looking to try something new?

2: Define “series.” Open-ended or finite? Or both? How about series of series (or trilogies of trilogies)? Single-author continuing story or multiple-author house-owned franchise?

Obviously, SF&F readers who enjoy reading series will continue to do so. The new series they choose to invest time in depends on their own tastes for the specific subject matter and tolerances regarding the length of a series.

Readers of series books in the mystery and romance genres may be willing to try urban fantasies that emphasize similar elements. Readers of Tom Clancy and other techno-thriller series would probably enjoy military SF.

But for people who do not generally read SF&F or series books, the bookshelves in that section of the store are intimidating between the numbered volumes and in some cases the size of the individual books. They don’t know where to begin, or even if it’s worth the time and effort to do so.

For publishers and booksellers, series books are no-brainers. They can build and retain a readership if the series is successful, and if the author is fast (and the books are short), they can publish several books in the series annually. On crowded bookshelves, the booksellers can just replace the last book in the series with the new one.

Of course series fiction is nothing new—from dime novels featuring both fictional and real-life Wild West figures through the pulp magazine continuing adventures of Conan, Doc Savage, The Shadow and others to comic book superheroes, and the Star Wars, Star Trek, Battletech, etc. media-tie in books—there has always been a readership for series.

I think the current publishing model for a book series, regardless of genre, is based upon attracting television and film audiences. CSI viewers may read Patricia Cornwell, while Buffy fans may be drawn to Laurell Hamilton’s Anita Blake novels, etc. Many modern book series are written as if they are film/TV scripts in prose form, and certainly read that way.

When the highest praise reviewers and critics can give a book is “this would make a great movie,” what does that say about the art of writing prose fiction? I understand that publishers and authors depend on Hollywood interest for financial reasons, but it’s almost as if those books that are considered for film or television adaptation are more valid or legitimate than those that aren’t. In the real money making world of Hollywood, publishing houses are idea factories and nothing more.

Back on topic: I don’t think that SF&F series are detrimental to attracting new readers who are already SF&F readers. Attracting the uninitiated reader remains a problem, and as I mentioned in previous posts here, avid SF&F film and TV viewers aren’t necessarily avid SF&F readers. The viewers get their story fix in a concise time frame and may not want to spend the time reading a dozen 600+ page tomes published over a dozen years when they can get the same amount of story watching one season of a TV show in nine months or three films in six years.

This isn’t our readership. Thirty-something years of blockbuster genre film audiences have not been driven to read genre books (despite the success of J.K. Rowling and Stephen King). I think in the television and information ages, if people haven’t developed a love for reading as children, they’re unlikely to do so as adults. We’re being bombarded with entertainment and information in the form of twenty minute sitcoms, forty minute dramas, two hour films, sound bites, RSS newsfeeds, and blogs that result in short attention spans and encourage an entitlement of instant gratification, while creating an intolerance and impatience for anything considered time-consuming—like book reading.

If SF&F book series aren’t attracting new readers in the genre, they’re unlikely to do so outside the genre. If there are already 10+ books in the series, and if it’s necessary to be well-versed in all of them in order to enjoy one of them, then publishers run the risk of losing both potential and long-time readers. The story lines running through the titles of DC and Marvel Comics are so inter-connected and insular that even readers who grew up on superhero comics no longer have a point of entry. If publishers are unable to attract their former readers, how are they going to attract new ones?

Thursday, March 06, 2008

Mind Meld: Science Fiction Series

Today, SF Signal's Mind Meld question is: Are science fiction book series a barrier to gaining new readership?

Answers from Yours Truly, Chris Roberson, Joe Sherry, David Louis Edelman and John Joseph Adams. With all those names, there must be something good to be had from it, right?

Tuesday, March 04, 2008

More Power to You, Richard!

Science fiction literature began for me with Richard M. Powers. Before I ever read word one. When I was a very little kid, I loved going in the bookstore, heading to the SF section, and walking past the rows and rows of books at eye level. I didn't read the stuff yet; I just loved those wild covers. His work - as challenging now as it was then - preloaded me with the notion that science fiction was adult, modern, cutting edge, "now," and maybe even something a little above my head that I needed to stretch a bit to properly grok. That's where I first intersected the genre, and that's why, more than likely, I take SF as seriously as I do today. They say "Don't judge a book by its cover." Hell, I judged an entire genre by his covers, and it's why I work in it now. I'm thrilled about his induction into the Science Fiction Hall of Fame. Here, here! (Oh and here is more of his work! And here is John Picacio on Powers. And here is David G. Hartwell on Powers.) I applaud this choice loudly and soundly.

Monday, March 03, 2008

Elom: The Trailer

Check out this book trailer for Elom,a science fiction novel out from Tor this month written by my friend and fellow Alabamian William H. Drinkard. This is Bill's first science fiction novel, and before it was written, he'd never met another SF author. Now he's coming out in hardcover from Tor, with a wonderful cover by Stephan Martiniere, and he's been learning the convention ropes. He'll be debuting the book at OmegaCon in just two weeks as well. So help me welcome him into the community, as it can be lonely for a left-leaning, Darwin-endorsing science fiction author 'round these parts. Here's the book description:

"Fire from the Goddess and the meat and furs of the mammoth are all that the People need to live. It is a harsh life but a good one and it is one that all cherish.Young Geerna knows that the time has come for her to become a woman and take up the tasks to keep her people safe. She waits in the Awakening Place, fearful and hopeful as her ordeals come to an end. Then, on the eve of her Womanhood, a shining light descends upon her and her world is torn asunder.And she embarks on a journey that none of her people could ever envision...Eons have passed. Cycle upon cycle the Way of the People have remain unchanged: women are artists, men are hunters. Geerna's Law is the covenant by which humans live in harmony and peace. But all is about to change. A call has come for The People to choose their champions, and a summons to meet the mysterious creatures who selected Geerna so long ago.All is unknown. As the brave souls who are chosen venture forth, they will come to discover just how much that pact that Geerna made so long ago has cost them.And they will have to confront the choices that might help them to finally know true freedom."

Saturday, March 01, 2008

The Official SF Site Best SF and Fantasy of 2007

SFSite has released their Editors' Choice - The Official SF Site Best SF and Fantasy Books of 2007, and Ian McDonald's Brasyltops the list at number one. They say, "Wrap your head around this book if you want to see what truly ingenious science fiction can look like."

Meanwhile, Kay Kenyon's Bright of the Skymade their "The Near Misses and Honourable Mentions."

Friday, February 29, 2008

Cornell Gets Some Culture

Here's a bit of very exciting news. My friend, author, comic book scribe and Hugo-nominated Doctor Who series writer Paul Cornell reports, "I've been commissioned to adapt Iain M. Banks' novella 'The State of the Art', from the collection of the same name, into a play for broadcast on BBC Radio 4 later this year. My producer is the wonderful Nadia Molinari, and we're looking to keep all the SF goodness of the original. I'm enjoying how serious and thoughtful the brief is. The story is about Banks' spaceborne utopian civilisation, the Culture, encountering Earth. Some interesting casting of a Ship voice ahead, I should think, and who should be Diziet Sma? I'm anticipating the process hugely."

Paul is also launching this Marvel title, taking up the reigns on my favorite Marvel character after the web slinger, Captain Britain, who meets up with MI-13 of Paul's recent Wisdom mini-series.

Now, how cool is that?

Thursday, February 28, 2008

City Without End takes Silver Spectrum Award

A huge congratulations to Stephan Martiniere, whose cover illustration for the third book in Kay Kenyon's ongoing space opera quartet entitled The Entire and the Rose, the forthcoming City Without End, just won the Silver Spectrum award in the book category. All of Stephan's covers in this series have been amazing. Book one, Bright of the Sky,made the Spectrum annual the year it was released, and we're hearing good things about A World Too Near- which just hit shelves this week. (For a look at these two covers side by side, see Kay's website.) And now, unveiled here for the first time, the winning cover of City Without End. This is my favorite of the three "Entire" pieces, and maybe one of my favorite Martiniere illustrations ever.

What do you think?

Tuesday, February 26, 2008

OmegaCon: Look at this Line Up

I've blogged before about OmegaCon, the new convention launching March 14-16, 2008 in Birmingham, Alabama. I remain cautiously optimistic about their prospects and very excited about the possibility of a largish annual convention in the southeastern United States.

Since my last post, they've added Peter Mayhew, Rena Owen and Richard
LaParmentier of Star Wars fame to their media track, where they join Richard Hatch and the Ghost Hunters- bringing it to decent levels for a first time effort - and their art track is very respectable with Jael and Brom, but what's impressing me the most is their literary track, which has swollen to what is a very impressive size, with a huge roster of writers in attendance.

I've weeded out about a dozen writers from their guest list, either because they were self-published, published but not in SF&F (so minus one historical author, one children's book author, a Celtic author, a Christian author, and quite a few paranormal nonfiction authors), or not published in venues I am aware of (and which may be vanity press.) I mean no offense to them - but what I want to list here are those who are already on the radar of - or should be of real interest to - science fiction and fantasy literature fans.

And that leaves us with a whoppin' 21 folks, with quite a few bestselling authors among them:

Ann Aguirre - new Ace author (whose novel is SF and very Serenity like too, I'm told.)
Lou Anders - don't know much about this clown
Ben Bova - one of the giants of the history of the SF field
Steven Brust - New York Times bestseller
Julie Cochrane -Baen Books author, frequent John Ringo co-author David Drake - New York Times bestseller
William H. Drinkard - forthcoming Tor author (his Tor editor may attend too!)
Eric Flint - New York Times bestseller
Alan Dean Foster - New York Times bestseller
William Jones - Chaosium author, Dark Wisdom editor
Allen Hammock - former TSR Game designer (D&D)
Kay Kenyon - John W Campbell and Philip K Dick award nominated author
Sherrilyn Kenyon - 10 million books in print
Marilyn Kosmatka - Eric Flint co-author at Baen
Ted Kosmatka - sales to Asimov's, F&SF, reprint forthcoming in Jonathan Strahan's Year's Best
J.F. Lewis - forthcoming Pocket books author
Louise Marley - multiple award winning author (also writes as Toby Bishop)
Jim Minz - Baen Books editor, formerly of Del Rey and Tor
Mike Resnick - one of the most awarded SF authors of all time
Don Sakers - former Baen author, Analog short story writer
David Sherman - the Starfist series from Del Rey, now up to 9 books
David Weber - New York Times bestseller

So that's at least 6 bestsellers. Quite a few award winners. Plus Minz, who is really all you need to ensure that the party gets going. If nothing else, the OmegaCon bar is going to be rockin'.


Me & the Metro

I am apparently in the New York Metro newspaper today, speaking about the importance of SF (imagine that). I haven't seen the piece and can't remember what I said, so if anybody has seen it, I'd love to hear how I came off.

Update 2/27/08: Turns out the article is online, in its entirety, here.

Saturday, February 23, 2008

Brasyl: Best of the Best

Visions of Paradise aggregated the "Best of the Year" mentions from some twenty sources, including SF Site, Fantasy Magazine, Bookgasm, SFF World, Fantasy Book Critic, Strange Horizons, Locus Online, Locus Magazine, as well as award nominations for the BSFA, Nebula, and Philip K. Dick Awards. They then listed the books which received the most mentions, to produce a "best of the best" list. The result - Ian McDonald's Brasylis the clear leader with 16 out of 20 mentions! Here is the full list, which also includes Joe Abercrombie's The Blade Itself with seven mentions and Kay Kenyon's Bright of the Skywith five.

Update 2/24/08: Locus Online has updated their 2007 SF/F/F Books on Year's Best Lists, with the result that Brasyl comes in 2nd after Harry Potter (no shame there) with 8 mentions, and Kay Kenyon 's Bright of the Sky now appears on four.

Thursday, February 21, 2008

Thoughts and Tirades, with Special Guest Lou Anders

I'm guest-blogging today at Stargate: Atlantis executive producer Joseph Mallozzi's website, Thoughts and Tirades, Rants and Ruminations. Thanks to Mallozzi's extreme generosity, there's 6,600 words from Yours Truly, as I take questions from his reading group on my anthology Fast Forward 1: Future Fiction from the Cutting Edge(plus comments from some of the contributors to the anthology, and John Picacio on the cover illustration.) Also featured, a few embarrassing pictures I dug up from my time on the set of Babylon 5. So if you want to know where Paolo Bacigalupi found the inspiration for "Small Offerings" or want to see "Minbari Lou", head right over.

Wednesday, February 20, 2008

Fun-House Glasses and Love that Goat!

Paul Goat Allen interviews Paolo Bacigalupi in a web-exclusive for Publishers Weekly today. Even if he hadn't started off by referencing me, I'd be directing you there for these words from Paolo on the importance of science fiction: "SF has tools for writing about the world around us that just aren’t available in other genres. Reading good speculative fiction is like wearing fun-house eyeglasses. It shifts the light spectrum and reveals other versions of the world, mapped right on top of the one you thought you knew."

Update 2/21/08: Paolo is also interviewed by environmental journalist Michelle Nijhuis on Grist: Environmental News & Commentary today. More choice words, such as this explanation of how science and science fiction go hand in hand: "
scientists are inherently conservative, and science journalists are inherently conservative, because you don't want to be wrong. But that's where I can get involved as a science fiction writer. I don' t have to be right, exactly, [but] I need to illustrate. I need to illustrate a feeling or experience so that people can say, 'Does that seem like something we want to be going toward?'"

Tuesday, February 19, 2008

Batman Unauthorized

Just got my contributor's copy today of BenBella's latest book in their Smart Pop series, the Denny O'Neil edited Batman Unauthorized: Vigilantes, Jokers, and Heroes in Gotham City. I pretty much managed to say everything I've ever wanted to say about the Caped Crusader and his relationship with his arch nemesis in one essay, (and now my work here is done...).

But as a childhood Batman fan who was reared on Denny O'Neil's depiction of the Darkknight Detective, I can't begin to communicate what a priviledge it is to be sounding off about the character in a book that has his name on the spine.

Stargate, FF1, and Me

Today is the day that Joseph Mallozzi, he of Stargate fame, kicks off his book group discussion about my own anthology, Fast Forward 1.He is currently aggregating questions from his readers, answers by Yours Truly to be posted later this week.

Update 2/19/08:
Joe returns today with a huge, story-by-story analysis of his thoughts on FF1, and then opens the blog up for comments, which are up to 50 so far. Here's the permalink.

Update 2/20/08: Joe returns with his thoughts here and here. Comments somewhere over 100 now. Much insightful being said.

Monday, February 18, 2008

Moorcock Signing

Michael Moorcock and John Picacio will be signing copies of the new, illustrated editon of Elric: The Stealer of Souls at Austin Books this Saturday. Copies of The Metatemporal Detective, with its matching Picacio cover illustration, will also be on hand, I'm told.

Details:

Austin Books
5002 North Lamar Boulevard
Austin, TX 78751
Austin Books · info@austinbooks.com · (512) 454-4197

Saturday, February 23rd, 4pm-7pm

SFFWorld's Favorite Books of 2007

SFFWorld’s readers have voted for their favorite books of 2007, and I'm thrilled that Before They Are Hangedtops the list (this refers to the UK edition, as the US edition was just released). What's more, Joe Abercrombie appears twice, with The Blade Itselftying with the wonderful Scott Lynch's The Lies of Locke Lamora at # 5. Here's the full list:
  1. Before They Are Hanged by Joe Abercrombie (105 points)
  2. The Name of the Wind by Patrick Rothfuss (96 points)
  3. Reaper’s Gale by Steven Erikson (63 points)
  4. Renegade’s Magic by Robin Hobb (54 points)
  5. The Lies of Locke Lamora* by S. Lynch & The Blade Itself* by J. Abercrombie (41 points)
  6. The Children of HĂşrin by J.R.R. Tolkien (32 points)
  7. Red Seas Under Red Skies by Scott Lynch (31 points)
  8. The Thousandfold Thought* by R. Scott Bakker (28 points)
  9. The Orphan’s Tales: In the Cities of Coin and Spice by Catherynne M. Valente
Also delighted to see that The Devil's Right Hand author Lilith Saintcrow praises The Blade Itself on her blog, Writer on the Dark Side: "This is fantasy, sword-and-sorcery, but without the complete lack of verite most fantasy is infected with... There’s wizards, mythology, kings, princes, a self-absorbed nobleman, ancient legends, fencing–all written so well I was grinding my teeth with envy whenever I HAD to put the book down. This is a fantastic start to a trilogy, and I can’t wait to get the next two books so I can see what happens next. There are some tropes, true, but they’re handled so deftly and characterised so beautifully they take on the status of old friends instead of worn-out archetypes. In short, I can’t say enough good things about this book, and I highly recommend it."

Thank you, Lilith. Wait till you get to book two!

Sunday, February 17, 2008

Congratulations, Sean!

Big congratulations to my friend Sean Williams, who makes the Ditmar short list with both his novel Saturn Returns(out here from Ace) and his novella in the same universe, Cenotaxis,(out here from Monkeybrain). Sean's been writing big idea, deep future space opera for some time, and these works deserve to catch on big with the post-singularity, space opera contingent here in the states.

I'm particularly gratified that the novella is doing so well for Monkeybrain, as in addition to love sweet love, I'm pretty sure what the world needs now is affordably-priced novella length SF in attractive packaging.

In other news, Sean wrote to let me know that in March Ticonderoga Publications will be releasing "a hefty tome" of his best short fiction, entitled Magic Dirt. Quite a few Ditmar nominations and wins in there as well.

Friday, February 15, 2008

Yet Another Best of 2007

SFSite has posted their "Best SF and Fantasy Books of 2007: Readers' Choice" and I'm delighted to see Joe Abercrombie's Before They Are Hangedat number five (here for the UK edition, as our edition was just released this month and hasn't found its way into all venues yet), as well as, not surprisingly, Ian McDonald's Brasylat number three.

Of the latter, they say, "McDonald masterfully explores some key sfnal concepts and pivotal alternative science. Wrap your head around this book if you want to see what truly ingenious science fiction can look like."

Dragon's Nine Sons

The Dragon's Nine Sons is the latest in Chris Roberson's Celestial Empire series, set in an alternate history in which China rose to world-dominance n the 15th Century. Roberson has penned tales across the whole of this period, though D9S takes place in 2052, at a point in which a space-faring Chinese Empire wars with an Aztec civilization for control of Mars. I've a personal history with these stories, having commissioned the first one (as Chris recounts here), and I've been an enthusiastic reader of the subsequent tales as they evolve every since. This time out, the tale here is a well-plotted and clever reworking of the Dirty Dozen, which combines brilliant alternate history with military SF. It could certainly stand on its own (and does), so if it's your entry point to the Celestial Empire, no worries. However, readers are encouraged to seek out all of the Celestial Empire stories, and here's a handy list:

Stories:

(listed in internal chronological order)
"Fire in the Lake" - Subterranean Magazine, Fall 2007
"Thy Saffron Wings" - Postscripts (forthcoming)
"The Sky is Large and the Earth is Small" - Asimov's Science Fiction (July, 2007)
"O One" - Live Without a Net (Roc, June 2003)
"Metal Dragon Year" - Interzone #213
"Gold Mountain" - Poscripts #5 (and in Dozois's 2006 YBSF)
"The Voyage of Night Shining White" - Novella from PS Publishing (and in Best Short Novels: 2007)
"Line of Dichotomy" - The Solaris Book of New Science Fiction: Volume 2 (forthcoming from Solaris, 2008; also available as chapbook)
"Red Hands, Black Hands" - Asimov's Science Fiction (December, 2004)
"All Under Heaven" - Firebirds Soaring (forthcoming from Firebird, 2008)
"Dragon King of the Eastern Sea" - We Think, Therefore We Are (forthcoming from DAW, 2008)

Novels:

The Dragon's Nine Sons (Solaris, 2008)
Three Unbroken (Solaris, 2009; serialized online 2007-2008)
Iron Jaw and Hummingbird (Viking, 2008)

Thursday, February 14, 2008

Covering the Cover Art

Spectrum Fantastic Art's Cathy & Arnie Fenner have posted an appeal to
voters
to be more considered in their nominations for the Hugo Award for Best Professional Artist. They point out that "in the 52 years an award has been presented for 'Best Artist', only 15 individuals have won the rockets." While not wanting to diminish the accomplishment of any of those 15 winners, I support their call that more attention be paid to those artists who have actually produced exemplary work in the Hugo year in question.

The Fenners call out a prior "suggestion" that nominations include an example of art which appeared in the relevant calendar year. This is NOT a requirement of the Hugo nomination process, merely an attempt to induce the voter to familiarize him/herself with actual 2007 cover illustration work before casting his or her ballot.

Recently, I've heard grumbles that there are no convenient one-stop spots to review the art of the past year. Not only do all the responsible publishers list illustrator credits on the jackets of their hardcovers, but Mark R Kelly maintains a marvelous 2007 Cover Art Gallery at Locus Online, which only takes a moment to peruse (and is fun to do!). In addition, many artists who maintain online galleries and blogs, provide that info in quick-glance form. (Here, for example, is a link to John Picacio's blog, the right-hand margin of which contains thumbnails of his complete 2007 output.) With the ease of the internet, there really is no justification for what amounts to Hugo voters belittling their own award by not recognizing relevant work in the Best Professional Artist category.

Meanwhile, here is a list of all 2007 Pyr books with artwork that debuted in that calendar year, with their respective cover artists - complete with links to the respective book covers and the artists' personal websites:

January - Jack Dann's The Man Who Melted - Nick Stathopoulos
February - Lou Anders' Fast Forward 1 - John Picacio
March - Adam Roberts' Gradisil - Stephan Martiniere
Justina Robson's Keeping It Real - Larry Rostant
April - Joel Shepherd's Breakaway - Stephan Martiniere
May - Ian McDonald's Brasyl - Stephan Martiniere
June - Sean Williams' The Hanging Mountains - Greg Bridges
July - Alexis Glynn Latner's Hurricane Moon - Brian W Dow
August - Mike Resnick's Ivory - Bob Eggleton
September - Joe Abercrombie's The Blade Itself - Laura Brett
October - Justina Robson's Selling Out - Larry Rostant
Michael Moorcock's The Metatemporal Detective - John Picacio
November - Joel Shepherd's Killswitch - Stephan Martiniere
December - Mike Resnick's Starship: Mercenary - John Picacio