Signing in the Waldenbooks by Parnell Hall

Thanks to Mike Resnick for turning me onto this brilliant bit of musical honesty and self promotion:



And here's one of Parnell Hall's books.

Beware the Giant Fire Breathing Robot

I'm a guest today on episode 80 of the Giant Fire Breathing Robot podcast. They say, "Andrew and Ashley pick the brain of Lou Anders, the steady hand at the wheel of Pyr, an imprint of Prometheus Books. We’d make the easy “what’s a book joke” here, but this interview is so full of great info and kick-ass book recommendations that we’ll just let the audio speak for itself. Lou gives tips for people who want to do his job, and he gives some great info for people who fancy themselves the next Tolkien."

You can listen at the link above, or download from iTunes. 

I'm not going to BEA but...

Pyr will be represented at Book Expo America in the Prometheus Books booth, #4566.

Book Expo America is a trade only event that delivers the largest gathering of booksellers, librarians, retailers, and industry professionals anywhere in North America. It takes place at the Javits Center in New York City.

In the BEA autographing area, Clay and Susan Griffith, co-authors of the Vampire Empire trilogy, will be signing copies of book one, The Greyfriar, as well as giving away bookmarks for book two, The Rift Walker, which will be published in September. BEA attendees, get your signed copy at Table #25 on Tuesday, May 24, 10:30 - 11:30 am EST.

The Pyr Fall-Winter 2011-2012 catalog will be available at booth #4566, as will publisher staff in marketing, publicity, ebooks, and sales. Pyr Editorial Director Lou Anders will NOT be at BEA this year, but please do say hello to the rest of us! If you're a book reviewer or blogger interested in Pyr and are attending BEA, feel free to email publicity@prometheusbooks.com and let us know you'll be stopping by.

Conan The Musical

Just putting this here so I can always find it:

Bach

2011 Locus Award Finalists

The 2011 Locus Award Finalists have been announced and it's with great pleasure that I discovered that Ian McDonald's The Dervish House (which I edited for Pyr) is up in the category of Best Novel as well as Swords & Dark Magic, (which I co-edited with Jonathan Strahan for Eos) in the category of Best Anthology. And from that anthology, Joe Abercrombie's "The Fool Jobs" is in the category of Best Novelette.

Masked and Anonymous

Lubbock Online has posted a review of my superhero prose anthology, Masked. They write:

"Verdict: Thumbs up. Any sort of anthology like this is going to have some good stories and some not-so-good stories, and I'm glad to say that most of these fall on the good side of the equation. Far and away, my favorite stories were the ones by Gail Simone, Bill Willingham, and Paul Cornell, but the majority of the stories in this book are just plain great. ....Not a perfect anthology, but certainly one of the better ones of this type I've seen. if you're a superhero fan, this is definitely something you'll want to pick up."

My Reading from the PKD Award

Ian McDonald's Hugo-nominated The Dervish House optioned by Warp Films.

Ian McDonald's BSFA-winning, Hugo nominated novel, The Dervish House, has been optioned by Warp Film. The Zeno Agency reported the film option yesterday. From their blog:

Zeno Agency is delighted to announce that film and television rights to Ian McDonald‘s award winning novel THE DERVISH HOUSE have been optioned by Warp Films. The deal was negotiated by Zeno’s John Richard Parker who says, ‘As with all Ian’s books THE DERVISH HOUSE is very much cinematic as well being  an imaginative tour de force. I have always believed it has the qualities that  make it eminently suitable for film and I am sure that with Warp’s enthusiasm for the project and their fantastic track record, all the ingredients are in place to put together something very special indeed.’

Warp Films have had notable successes recently with SUBMARINE and FOUR LIONS and Executive Producer Peter Carlton says ‘We’re delighted to have the chance to adapt THE DERVISH HOUSE for the screen, set in that most iconic of cities, crossroads of east and west, past and future, Istanbul. It starts with an explosion on a tram and ends in a race to stop a terrorist plot, but in the meantime Ian somehow weaves together speculative share trading, nanotechnology and Islamic microcalligraphy, to name but a few strands in this visual feast that has a narrative sweep and ambition all too rare in contemporary fiction.‘

Norwescon 34

I'm back from Norwescon 34, where I was guest of honor representing Pyr as Spotlight Publisher. This was my first time at a Norwescon, my first time in Seattle, and only my second time in the Northwest (though I used to live in California). And I have to say I was very, very impressed with everything and everybody. The convention had an estimated attendance of around 3600 people, and was held April 21-24 at SeaTac, WA, in the same hotel it's been in for two decades (the DoubleTree Hotel Seattle Airport). The long-running association made for a very smooth con.

I flew in Thursday with my whole family and hit the ground running. In the green room, we bumped into Mary Robinette Kowal, who did an impromptu shadow puppet show for my six year old son, then at the opening Banquet, my son was thrilled to win a pair of Star Wars chopsticks in the raffle. (They only raffled two sets. Most of the other items raffled were Pyr books, which wouldn't have thrilled him as much to win, as his daddy has a basement full of same). At the opening ceremonies, the convention also presented me with a very nice plague in appreciation for contributions to "liturature." The plaque is beautiful, and while they've offered to correct the misspelling, honestly, folks, is perfect the way it is!

Then it was to the art show reception, where I had a lovely conversation with Artist Guest of Honor Kinuko Y. Craft's husband, and caught up with old friend Todd Lockwood. Todd built his art show display this year around the gorgeous-beyond-words cover illustration he did for the Pyr edition of Tom Lloyd's The Stormcaller. I've seen it in person before, but it never fails to take my breath away. Todd is also just an awesome guy, and it's always a pleasure to hang with him.

9pm Thursday was my first panel - "The Best of Steampunk Then and Now" - moderated by Eileen Gunn, and with Mark Teppo, Diana Vick, and Chalire Hummel. I was impressed with how well attended it was for an evening panel, and hope we did some good clarifying just what steampunk is and isn't, should be and shouldn't. 

I'll pause and say a con has never worked me harder than Norwescon did, but as it had been eight long months since this stage-loving, egomaniacal, book promoter has been in front of an audience, that was just what the doctor ordered. What I heard from the other guests was that the con works you hard but takes good care of you, and I can testify that's the case. So let me stop and give a shout out to Dawn Marie Pares, my wrangler, who really made the show. She met me every morning with a decaf skinny vanilla latte, met me before every panel (often with tea), and made sure that while I was being taken care of, my family was too. Here she is with her husband, Matt Youngmark, author of the Choose Your Own Adventure-style zombie novel, Zombocalypse Now. Dawn Marie, you were fantastic! It was wonderful to meet you and you made the con. I'm back to having to get my own coffee and figuring out where I'm supposed to be on my own, and the degree to which you spoiled me is becoming apparent. 

Then Thurdsay ended with a visit to the Party with the Small Press, where I hooked up with my friend and author Sam Sykes (of Tome of the Undergates and Black Halo fame). Here are Sam and posing by the display of Pyr books in the lobby. Not pictured, Sam and I staying up until 3:30am. Also not pictured, the drunk in the hall who woke me up at 4am. Also not pictured, my children, two hours out of their time zone, waking me up at 5am. Never to be pictured, Lou on 1.5 intermittent hours sleep, getting up to start a grueling day of being witty and "on."


Friday I had panels at 11am, Noon, and 3pm, with the Lifetime Member's Dinner at 5pm (and what good food for a con-hosted banquet!), then the Philip K. Dick awards at 7pm, and a 10pm "Geek Geek Don't Tell Me" game-show style panel. Cat Rambo has posted "Notes from the Year’s Best Fantasy and Science Fiction 2010 Panel," a list of recommendations from the panelists, who in addition to Yours Truly included Brenda Cooper, Gordon Van Gelder, Cat, and Sam Sykes. But it was the "Marketing for Writers Panel" and the "Editing the Novel" panels later that afternoon where I really started to get a feel for how well attended panels at Norwescon is. I think one room was crammed to bursting with around 70-80 folks. The panels here too seemed to be more relevant/less frivolous than some con panels I've attended. Friday also saw the arrival of Erin Hoffman, game designer and author of the forthcoming novel Sword of Fire and Sea, and her husband Jay Ridler. Erin somehow managed to avoid being photographed, so here's the cover of her book.

And now... the Philip K. Dick Awards. The Philip K. Dick Award ar presented annually with the support of the Philip K. Dick Trust for distinguished science fiction published in paperback original form in the United States.  The award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust and the award ceremony is sponsored by the NorthWest Science Fiction Society. 

I was on hand to read a selection from the novel, The Strange Affair of Spring Heeled Jack, by Mark Hodder, and, as it happened, to accept the award on his behalf when he won. The ceremony was streamed with a video feed, so Mark, awake at 5am in Spain, was able to listen to a live feed of the ceremony. His reaction: "OMG OMG OMG! Are you kidding me!!!! Cannot believe it! Seriously, I'm dumbstruck … And over the moon!!!" As was I. Mark and I were both so unprepared for this that neither of us thought he might need to send me an acceptance speech! But obviously, we are thrilled. I'm pictured here accepting the award from award administrator and Magazine of Fantasy and Science Fiction editor/publisher Gordon Van Gelder.

Here is the full ceremony.  I read the excerpt at 27 minutes, 20 seconds in and accept at 50 minutes, 20 seconds in.

That evening ended with friends old and new, as all great evenings do.

Saturday was another heavy day of panels, including the very enjoyable "Trends in Urban Fantasy" with Kat Richardson and Jim Butcher, and the very-well attended A/V presentation I always give at cons, "Pyr Books Presents..." in which a great deal of never-before-seen artwork from our forthcoming season(s) was exhibited. Sandwiched around this was a lunch with Duane Wilkins of University Bookstore and Gordon Van Gelder, and a dinner with Erik Mona of Paizo.

Then Saturday night, I was excited to learn, Norwescon throws a party in your honor! The "Spotlight Publisher Party" was amazing - with a paid bar, a huge spread of food, and several hundred Pyr books scattered about the room as gifts to the attendees. (We aren't fools: they were all first-in-series books, and I'm proud to say, not a one of them were left by midnight). Here is a picture from the party of Todd Lockwood and Programming Director SunnyJim Morgan.

Then Sunday was a final panel in the AM, and I was cut loose to explore Seattle with my family. Thanks to Rob Stewart, who not only arranged my travel to the con, but also got my family passes to the Experience Music Project/Science Fiction Museum and to the Star Wars: Where Magic Meets Imagination exhibit at the Pacific Science Center. The Battlestar Galactica exhibit at the former was great, and the Star Wars exhibit at the later was amazing. In fact, I was looking at this original model of the Millenium Falcon when the Hugo Awards nominations were announced. Obviously, I'm honored to be nominated in the category of Best Professional Editor, Long Form for a fifth year running and thrilled with Ian McDonald's nomination for The Dervish House in the category of Best Novel.

Then it was a good seafood dinner at Ivar's Acres of Clams and back to the hotel, where I stopped in at the dead dog to thank the organizers for a magnificent con experience. Norwescon was just amazing, and what made it so was the professionalism and warmth of Dawn Marie, Sunnijim, Rob, Les Howle, Kevin Black, and many more tireless volunteers. Thanks SeaTac for a fantastic convention experience. Rob, good luck with that zombie, buddy!


 

Swords & Dark Magic: You Ought to Read It

The website Stella Matutina has reviewed Swords & Dark Magic, which they call a "gem." They say:

"I enjoyed almost all the stories. Strahan and Anders have assembled a strong collection from a talented group of authors. The plots are tight, the stakes are personal and the writing’s a pleasure to read. Even when the plot didn’t quite engage me, the prose kept me reading. ...All in all: good stuff. If you like secondary world fantasy, or have any interest in the authors who contributed, you ought to read it."

The Shirley Jackson Awards

The 2010 Shirley Jackson Awards Nominees have been announced, and I am delighted to report that the sword & sorcery anthology that I co-edited with Jonathan Strahan, Swords & Dark Magic, has been nominated in the category "Edited Anthology." Congratulations to all the nominees, and to all the contributors of Swords & Dark Magic.

"Goats of Glory" - Steven Erikson
"Tides Elba: A Tale of the Black Company" - Glen Cook
"Bloodsport" - Gene Wolfe
"The Singing Spear" - James Enge
"A Wizard of Wiscezan" - C.J. Cherryh
"A Rich Full Week" - K. J. Parker
"A Suitable Present for a Sorcerous Puppet" - Garth Nix
"Red Pearls: An Elric Story" - Michael Moorcock
"The Deification of Dal Bamore" - Tim Lebbon
"Dark Times at the Midnight Market" - Robert Silverberg
"The Undefiled" - Greg Keyes
"Hew the Tint Master" - Michael Shea
"In the Stacks" - Scott Lynch
"Two Lions, A Witch, and the War-Robe" - Tanith Lee
"The Sea Troll's Daughter" - Caitlin R Kiernan
"Thieves of Daring" - Bill Willingham
"The Fool Jobs" - Joe Abercrombie

In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, the Shirley Jackson Awards have been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. The Shirley Jackson Awards will be presented at Readercon 22, Conference on Imaginative Literature, in Burlington, Massachusetts.

Peter Jackson's videoblog of filming The Hobbit

Got Pyr?

“One of the most exciting publishers in the business."
​-Black Gate magazine

"If you haven’t given Pyr releases a look, you really should. Their output…is nothing short of amazing…consistently good."
​-LEC Book Reviews

“One of a very few publishers I know who have no bad books to their name.”
​-BiblioBuffet

“If every publishing house’s cover art were as consistently attractive as Pyr’s, a lot more people would feel encouraged to read books…”
​-Rob Will Review

“If there’s anything I’ve come to trust in the publishing world, it’s the quality of Pyr’s releases.”
​-A Dribble of Ink

“Pyr…has stood out in science fiction publishing as a publisher with a fantastic list of authors, a standard for great editorial quality, and amazing cover art to back it all up.”
​-SciFi Watch

“[Awarding] Pyr and Lou Anders for rekindling my love of Science Fiction along with some quality Fantasy and continually publishing series over consecutive months which all Fantasy fans adore. Plus they have some of the best covers in this or any genre.”
-Mad Hatter’s Bookshelf and Book Review


- Posted using BlogPress from my iPad

Market Insights

I'm guest posting on the Clarion blog today, doing a piece they call "Market Insights," talking about all the things that Pyr isn't. Here's a sample:

"We’re not really a good place for gross-out horror, slipstream, literary fantasy, or those “difficult to categorize” works. 'Not that there’s anything wrong with that,' he says, in his best Seinfeld impression. It’s just not our focus. When we first conceived of Pyr, we debated about whether or not to specialize in a subgenre, create a line look, or adhere to a particular philosophy or theme (in keeping with the parent company’s reputation for rationalist/humanist works). We opted not to do any of these things. Rather, we decided that we’d publish unabashedly genre works—space opera, military SF, time travel novels, epic fantasies, swords & sorcery—works that recognize and honor the tradition of science fiction and fantasy literature, but had an eye on the 21^st century. We wanted, though it sounds egotistical to say, works which took the writing to a 'higher level.'"

Detective Dee and the Mystery of the Phantom Flame

I have enjoyed Tsui Hark's films in the past, and this looks pretty interesting:

On the one hand we have Game of Thrones...

And on the other, this:

Adventures in SciFi Publishing

The latest episode of Adventures in SciFi Publishing features an interview with The Desert of Souls author and Black Gate managing editor Howard Andrew Jones.  They talk about the novel (which sounds great), his other novel, Black Gate's plans for the future, and the importance of heroes. At the end, I return for my first "Ask the Editor" segment in some time. I appear to be panting, as the segment was taped as I paced back and forth around my den, but hopefully there's some information in amid the heavy breathing.

Got Wolfsangel?

“Savage, dark, strange, and unpredictable.” -Joe Abercrombie


“Sorcery and savagery fuel this rousing historical fantasy... Vivid in its rendering of the primitive historical past, this entertaining adventure will have readers eagerly anticipating the next book in the series.” -Publishers Weekly, January 17, 2011

“This somber series debut echoes the brooding atmosphere of Scandinavian myth and should appeal to a wide readership.” -Library Journal, February 15, 2011

“We are not done with werewolves and the fey, at least not while we have books as fine as Wolfsangel by M. D. Lachlan...”  -Agony Column, January 12, 2011

“Lachlan is a gifted author and one who clearly loves his chosen subject and historical setting, which makes this novel is a must-read for fans of dark fantasy tinged with atmospheric horror elements...[his] writing has a certain quality that sucks you in and draws you on through the story...From raids to single combat, the author really puts the reader into the heart of the action; it is close, brutal and often highly personal. Certainly, Wolfsangel contains some of the best, most realistic fight scenes I’ve read in a while...Wolfsangel is a highly recommended historical fantasy… if you give it a try you will be rewarded for doing so. Dark, atmospheric, original… This is a great read.” -Civilian Reader blog, December 21, 2010

“Wolfsangel is wonderful historical fantasy that gives a different spin on the werewolf legend that tells a story of love, betrayal and the search for the truth. It is a tale that mixes love, betrayal and brutal action in a satisfying way that will leave a reader wanting more. This is recommended for fans who wish for a more brutal type of werewolf story in a historical fantasy setting. I give this one five stars Top Pick keeper status and looking forward to the sequel!” -Night Owl Reviews, Five StarsMarch 11, 2011

Works I Edited in 2010: The Complete List (repost)

In these last hours of  Hugo Awards nominations, I thought I'd repost this handy-dandy list of all the books that I edited in 2010, which details not only all of Pyr's output but  the two short story collections that I edited as well. Many of these books and stories are deserving of consideration, and I'll detail the artists who did these covers as well. So...

Pyr's 2010 Publications:

Kay Kenyon's Prince of Storms (in hc and paperback). Cover art by Stephan Mariniere.
Kay Kenyon's City Without End (reprint). Cover art by Stephan Martiniere.
Paul McAuley's Gardens of the Sun. Cover art by Sparth.
David Louis Edelman's Geosynchron. Cover art by Stephan Martiniere.
Joel Shepherd's Petrodor. Cover art by David Palumbo.
Adrian Tchaikovsky's Empire in Black and Gold. Cover art by Jon Sullivan.
Adrian Tchaikovsky's Dragonfly Falling. Cover art by Jon Sullivan.
Adrian Tchaikovsky's Blood of the Mantis. Cover art by Jon Sullivan.
George Mann's Ghosts of Manhattan. Cover art by Benjamin Carre.
Ian McDonald's Ares Express (reprint). Cover art by Stephan Martiniere.
Mark Chadbourn's The Devil in Green. Cover art by John Picacio.
Mark Chadbourn's The Queen of Sinister. Cover art by John Picacio.
Mark Chadbourn's The Hounds of Avalon. Cover art by John Picacio.
Matthew Sturges' The Office of Shadow. Cover art by Chris McGrath.
Jon Sprunk's Shadow's Son. Cover art by Michael Komarck.
Ian McDonald's The Dervish House. Cover art by Stephan Martiniere.
Tom Lloyd's The Ragged Man. Cover art by Todd Lockwood.
Jasper Kent's Twelve. Cover art by Paul Young.
Sam Sykes' Tome of the Undergates. Cover art by Paul Young.
Mark Hodders' The Strange Affair of Spring Heeled Jack. Cover art by Jon Sullivan.
Adrian Tchaikovsky's Salute the Dark. Cover art by Jon Sullivan.
Joel Shepherd's Tracato. Cover art by David Palumbo.
Pierre Pevel's The Cardinal's Blades. Cover art by Jon Sullivan.
James Enge's The Wolf Age. Cover art by Dominic Harman.
Clay and Susan Griffith's The Greyfriar (Vampire Empire Book 1). Cover art by Chris McGrath.
James Barclay's Elfsorrow. Cover art by Raymond Swanland.
James Barclay's Shadowheart. Cover art by Raymond Swanland.
James Barclay's Demonstorm. Cover art by Raymond Swanland.
Tim Akers' The Horns of Ruin. Cover art by Benjamin Carre.
Mike Resnick's The Buntline Special. Cover art by J. Seamus Gallagher.

30 novels in 31 bindings. Quite a year. Pyr itself turned 5 and hit our 100th title. I've posted a round up of various Best of 2010 posts over at the Pyr blog. Ian McDonald's The Dervish House and Clay and Susan Griffith's The Greyfriar (Vampire Empire Book 1) seem to be making the most Best of lists, but Pyr novels are appearing all over!

Turning to short fiction, I edited 33 individual stories, detailed below. The Hugo Awards defines a short story as anything less than 7,500 words, a novelette as being between 7,500 words and 17,500 words, and a novella as being from 17,500 words to 40,000.

Pyr released one novelette in 2010, James Enge's "Travellers' Rest," which was made available as a free ebook in both ePub and Kindle formats. Cover art by Chuck Lukacs. 8,471 words.

Beyond Pyr, I edited two short fiction anthologies (making this a year in which I am personally eligible in both the long form and short form categories, in case you are wondering). Each contained very many deserving short stories, novelettes, and novellas. They were:

Masked (Gallery Books). Cover art by Trevor Hairsine:

• "Cleansed and Set in Gold" by Matthew Sturges (9,825 words)
• "Where their Worm Dieth Not" by James Maxey (6,868 words)
• "Secret Identity" by Paul Cornell (4,795 words)
• "The Non-Event" by Mike Carey (6,093 words)
• "Avatar" by Mike Baron (4,483 words)
• "Message from the Bubblegum Factory" by Daryl Gregory (9,514 words)
• "Thug" by Gail Simone (5,746 words)
• "Vacuum Lad" by Stephen Baxter (6,733 words)
• "A Knight of Ghosts and Shadows" by Chris Roberson (11,404 words)
• "Head Cases" by Peter David & Kathleen David (5,474)
• "Downfall" by Joseph Mallozzi (18,181)
• "By My Works You Shall Know Me" by Mark Chadbourn (6,636 words)
• "Call Her Savage" by Marjorie M. Liu (8,955 words)
• "Tonight we fly" by Ian McDonald (4,998 words)
• "A to Z in the Ultimate Big Company Superhero Universe (Villains Too)" by Bill Willingham (15,932 words)

Swords & Dark Magic (co-edited with Jonathan Strahan, Eos). Cover art by Benjamin Carre. (Deluxe edition, Subterranean Press. Cover art by Dominic Harman).

• "Goats of Glory" - Steven Erikson (10,301 words)
  "Tides Elba: A Tale of the Black Company" - Glen Cook (9,973 words)
  "Bloodsport" - Gene Wolfe (5,562 words)
  "The Singing Spear" - James Enge (3,455 words)
  "A Wizard of Wiscezan" - C.J. Cherryh (10,543 words)
  "A Rich Full Week" - K. J. Parker (9,912 words)
  "A Suitable Present for a Sorcerous Puppet" - Garth Nix (5,068 words)
  "Red Pearls: An Elric Story" - Michael Moorcock (17,206)
  "The Deification of Dal Bamore" - Tim Lebbon (7,425 words)
  "Dark Times at the Midnight Market" - Robert Silverberg (8,177 words)
  "The Undefiled" - Greg Keyes (4,254 words)
  "Hew the Tint Master" - Michael Shea   (11,489 words)
  "In the Stacks" - Scott Lynch (14,643 words)
  "Two Lions, A Witch, and the War-Robe" - Tanith Lee (10,715 words)
  "The Sea Troll's Daughter" - Caitlin R Kiernan
  "Thieves of Daring" - Bill Willingham  (2,219 words)
  "The Fool Jobs" - Joe Abercrombie (8,372 words)

And that's it for 2010. I do sincerely hope you will check out all the many deserving writers and artists in the list above.